With cranes gone and steel beams no longer flying overhead, we’ve been able walk through our framed-in future home several times during these latter weeks of summer. With just over four months of basic construction to go, we’re now seeing three-dimensional spaces that in the past we could only visualize with drawings, models and lots of imagination. Filmmaker Ted Sikora, who has been shooting a piece about our art and mission since Move On! rehearsals, took a quick August tour with two guys who will spend long work hours in the new building once it’s done: Technical Director and Production Manager Josh Padgett and Stage Manager and Assistant Production Manager Ryan Wolf. Here’s the fun result. (By the way, actors and staff, that side door, with the ladder: it’ll be a real door with stairs when it’s done!)
Below are still photos of a few emerging features of the building that might help you envision what the theater will eventually look like, even with daylight currently streaming through places that will eventually be sealed up tightly for the sake energy efficiency and the beauty of theatrical lighting.
As for timing: We’re still planning on getting occupancy to the building in early January 2015, holding a series of “sneak preview, theater-in-progress” events and parties there from February through April (including our Annual Benefit on a Saturday in late February), and producing our grand-opening, main-stage musical in April and May. — Hans Holznagel
On Aug. 25, only the northwest corner remained to be closed in with “dense board” — the first layer of insulation — over the wood that surrounds the steel frame.
Near West Theatre’s $7.3 million construction project is part of the cooperative Gordon Square Arts District capital campaign, which has raised nearly $30 million not only for the new NWT but also for the renovation of the now-reopened Capitol (film) Theatre, extensive physical improvements at Cleveland Public Theatre, districtwide streetscape improvements and parking. Near West Theatre is also grateful for ongoing programmatic support from the Ohio Arts Council, Cuyahoga Arts and Culture, and Greater Cleveland Community Shares, and for special support from Ronald McDonald House Charities of Northeastern Ohio for equipment used by young people in technical workshops and other backstage experiences.